"We moved from a bedroom mic setup to a fully distributed production within six weeks. The knowledge base alone saved us dozens of hours of research." — Orla Fitzwilliam, The Harbour Talk Podcast
Expand any term below to explore its definition, usage context, and how our studio applies it in professional production.
Bit rate measures the amount of audio data processed per second, expressed in kilobits per second (kbps). For spoken-word podcasts, 96–128 kbps in mono is often sufficient. Music-heavy shows benefit from 192 kbps or higher in stereo.
We default to 128 kbps mono for interview formats, which balances file size against clarity across mobile speakers and earbuds.
A DAW is software used to record, edit, and mix audio. Common choices include Reaper, Audacity, Logic Pro, and Adobe Audition. The right DAW depends on your workflow complexity and budget.
Our studio uses Reaper for remote session recording and Logic Pro for final mastering, giving us non-destructive editing with low latency on distributed sessions.
Compression reduces the volume difference between the loudest and quietest parts of a recording. In podcasting, gentle compression (2:1 to 4:1 ratio) ensures consistent listening levels, especially important for commuters and earphone listeners.
We apply multi-band compression during mastering so that voice fundamentals stay warm while sibilance is controlled independently.
LUFS is the broadcast standard for measuring perceived loudness. Apple Podcasts recommends -16 LUFS for mono and -19 LUFS for stereo. Spotify targets -14 LUFS. Meeting these targets prevents your show from sounding quieter or louder than surrounding content in a listener's queue.
An RSS (Really Simple Syndication) feed is the XML file that distributes your podcast to directories. It contains episode metadata, artwork references, and enclosure URLs pointing to your audio files. Every podcast needs exactly one canonical RSS feed.
We generate and validate feeds against Apple's podcast feed specification before submission, catching common errors like missing categories or malformed GUIDs.
Show notes are the written companion to an episode. They typically include a summary, timestamps, guest bios, links mentioned, and calls to action. Well-structured show notes improve discoverability through search engines and give listeners a reason to visit your website.
Our editorial team writes SEO-aware show notes within 48 hours of episode delivery, formatted in HTML for direct CMS paste.
These terms describe ad placement within an episode. Pre-roll runs before the content, mid-roll interrupts during the episode (typically at a natural break), and post-roll follows the closing. Mid-roll ads consistently deliver the highest CPM because listeners are already engaged.
The noise floor is the level of background noise present in a recording environment when no one is speaking. A professional podcast recording aims for a noise floor below -60 dB. Common culprits include air conditioning, computer fans, and room reflections.
We provide a free room assessment via a short test recording, identifying acoustic issues before production begins.
For most podcasters starting out, a dynamic USB microphone like the Samson Q2U or Audio-Technica ATR2100x provides excellent isolation and requires no external interface.
XLR setups become worthwhile when you need multi-track recording or plan to use hardware processing.
This glossary grows based on real questions from podcasters we work with. Email [email protected] with your term suggestion.
| Buzzsprout | Easy, limited analytics |
| Transistor | Multi-show, good API |
| Podbean | Built-in monetisation |
| RSS.com | Simple, affordable |
How our studio maps to your production needs. Each row represents a distinct service layer — not a package. Combine what fits.
| Capability | What's Included | Typical Turnaround | Suited For |
|---|---|---|---|
| Recording Infrastructure | Remote session hosting, multi-track capture, backup recording, pre-session sound check | Same day | Interview shows, panel discussions, co-hosted formats |
| Post-Production Editing | Noise reduction, levelling, content editing, filler removal, silence trimming | 3 working days | All formats |
| Mastering & Delivery | LUFS targeting, format encoding, ID3 tagging, chapter markers, file delivery | 1 working day after edit approval | Shows targeting Apple, Spotify, YouTube |
| Show Notes & Metadata | SEO-structured episode descriptions, timestamps, guest bios, link lists | 2 working days | Shows with websites or newsletter tie-ins |
| Feed Management | RSS generation, directory submission, feed validation, redirect handling | Setup: 2 days; ongoing: same day | New launches, platform migrations |
| Consultation & Audit | Format strategy, audience positioning, equipment review, growth audit | Scheduled sessions | Pre-launch planning, shows seeking growth |
Our approach separates content decisions from technical decisions. You focus on what to say; we handle how it sounds. This division works because most podcast quality problems aren't content problems — they're engineering problems. A brilliant conversation recorded on a laptop mic in a tiled kitchen will always lose listeners, no matter how good the ideas are.
We operate on a layer model: capture → clean → shape → master → deliver. Each layer has its own quality gate. An episode doesn't move to mastering until the edit is approved. Mastered files don't ship until they pass automated LUFS and true-peak checks.
"The layer approach meant I could approve edits on my phone during lunch and have the final file in my inbox by evening." — R. Connolly, Westport Dialogues
There's a pattern we see repeatedly. A new show launches with energy, publishes weekly for three months, then slows down and eventually stops. The reasons are almost always logistical, not creative. The host runs out of buffer episodes. Editing takes longer than expected. Guest scheduling becomes a bottleneck.
The solution isn't motivation — it's infrastructure. Batch recording, templated editing workflows, and a reliable post-production partner remove the friction that causes burnout. We've worked with shows that went from "thinking about quitting" to maintaining a fortnightly schedule for over a year simply by restructuring their production pipeline.
If you're approaching that plateau, or already past it, a single consultation call can identify the specific bottleneck. No commitment required — just an honest assessment of where the friction lives.
Before reaching out, see where you stand. These aren't requirements — they're conversation starters.
You don't need expensive gear, but you do need a dedicated microphone (not your laptop's built-in). If you're unsure what to buy, we advise before you spend.
Solo commentary, interview, roundtable, narrative storytelling, or hybrid? Knowing your format shapes every production decision downstream.
Weekly, fortnightly, or seasonal? Your cadence determines how much production support you'll need and when buffer episodes should be recorded.
Even a rough listener profile — age range, interests, listening context — helps us calibrate tone, pacing, and episode length recommendations.
| Factor | DIY Approach | Studio-Assisted |
|---|---|---|
| Time per episode | 4–8 hours (recording + editing + publishing) | 1–2 hours (recording + review only) |
| Audio consistency | Varies with skill and attention | Standardised across every episode |
| Scalability | Limited by host's available hours | Scales with production team capacity |
| Learning curve | Steep — DAW, mixing, mastering, feed management | Minimal — focus stays on content |
| Cost | Lower upfront, higher in time | Predictable monthly, time reclaimed |
Tell us about your podcast or idea. No obligation — just a starting point.
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